Roman Arne Jacobsen Armbanduhr

Arne Jacobsen, an architect and designer from Denmark, was recognized for his contributions to the architectural Functionalism discipline. In addition, his simple, but very effective chair designs achieved success worldwide.

Arne Jacobsen

Jacobsen endured a considerable level of public opposition for his innovative, avant-garde style. However, eventually his talents were acknowledged so that he was commissioned to build one of Copenhagen’s most famous and historic structures, the Stelling House on Gammeltorv. Although the rather modernistic style could be considered restrained by later standards, it became a model of historical building after much protest during the time. In fact, one local newspaper printed a story citing that wrote Jacobsen should be banned from architecture for eternity.

Born on February 11, 1902 to middle-class Jewish parents in Copenhagen, he first aspired to be a painter. However, his father dissuaded him, encouraging architecture as a more secure career. Jacobsen was admitted to the Royal Danish Academy of Fine Arts’ Architecture School after a short stint as an apprentice mason. From 1924 to 1927 leading designers and architects, Kaj Gottlob and Kay Fisker served as his instructors.

Arne Jacobsen

While at the Academy, he became influenced by Le Corbusier’s L’Esprit Nouveau pavilion’s innovative esthetic. He also discovered Mies van der Rohe and Walter Gropius’ rationalist architecture in Germany. These designs influenced his early work, such as his art gallery graduation project, for which he won him a gold medal.

After completion of architecture school, Jacobsen began work at Poul Holsoe’s architectural firm. In 1930, he set up an office where he set about designing every detail of the functionalist inspired Rothenborg House.

His design of Århus City Hall with Erik Moller won a competition, however, it was so controversial that it was considered too anti-monumental and modern. As a result, a tower and marble cladding was added, to consist of three volumes. Regardless, it is considered one of his most influential designs.

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The Furniture of Philippe Starck

Philippe Starck

Philippe Patrick Starck is a French designer who has a reputation for creating fluid, natural, dynamic, and powerful furniture designs. He is also a master of interior design.

He helped to create many famous hotels, restaurants, luxury homes, boats, and recreation areas. He is likewise responsible for many mass-produced items, such as furniture of all kinds.

Unpredictably, he made his start by establishing his own design career and firm, fresh out of school in 1968. He specialized initially at that time in inflatable objects.

Furniture seems to be one of Starck’s stronger qualities. He has designed a wide variety chairs, tables, shelves, and beds. All of his furniture designs in the past have had an organic feel to them: His chairs and stools are usually egg-shaped, round, and curvy.

Meanwhile the beds and dresser drawers he thinks up resemble vague, modernized versions of land formations, slated rocks, or water eroded plateaus of sand. Sometimes, his designs are reminiscent of plants, trees, and sea anemones. Other times they are minimalist, and barren.

We are blessed that Starck has taken an interest in eco-friendly aesthetics. In 2008, Stark made the leap from designing interiors, structures, furniture, and utilitarian objects, to designing a sustainable, eco-smart, and aesthetically-pleasing wind turbine that doubles as a musical instrument.

His new design is called the Broom Chair for Emeco, and was released in 2012. It is equal in eco-friendly points to the power-producing windmill design. It is zero-waste, meaning it is made from almost 95% recycled material. The name of this chair is inspired by the idea that the chair is ‘sweeping’ up extra waste by coming into existence.

The Broom Chair is simpler than Starck’s more fluid-style furniture he has been famous for producing in the past, such as his egg-like and tear-drop shaped chairs and structures reminiscent of natural forms overflowing with aesthetic fluidity.

The Broom is designed to look like a school, library, or patio chair, with just a drip of curve to make the design still uniquely Starck. This chair is undoubtedly a simplified version of what Strack is capable of as far as an exciting design goes. However, it is likely he is making a statement through its simplicity about sustainability. Maybe, it is that helping the environment need not be complicated.


Florence (Basset) Knoll was considered a champion of world class architecture, designers and professional architects. The inclusive, holistic “total design” belief system she developed embraced architecture, in addition to manufacturing, textiles, interior design, graphics, presentation and advertising. As an exceptional architect herself, she revolutionized indoor space planning with the innovative designs of her time.

Her applied design principles were considered to be a radical departure from standard practices in the 1950s. Eventually, the industry recognized the innovative aspects of her work and the principles were used to solve space issues. Her designs and acumen have continued to stand the test of time as widely utilized solutions.

Born May 24, 1917, she became a protegee of Eero Saarinen while studying at the Kingswood School of Cranbrook Academy of Art located in Bloomfield Hills, Michigan. She also studied architecture at London’s Architectural Association and Chicago’s Illinois Institute of Technology‘s Armour Institute. She has worked briefly for Marcel Breuer, Walter Gropius and Wallace K. Harrison.

She subsequently married and became a full design and business partner of Hans Knoll and formed Knoll Associates in 1946.

Her contributions are considered to be extraordinary to the design and architecture fields. As a result, her talents have garnered her the following honors:

*National Endowment for the Arts’ 2002 National Medal of Arts
*Design Excellence Award in 2004
*The Total Design Award from the American Society of Interior Designers in 1977
*IBD Award, Silver for the Florence Knoll Collection’s Table Desk in 1970
*Design Center Stuttgart Award, West Germany for the Florence Knoll Collection’s Table Desk 1969-70
*Gold Medal for Industrial Design from the American Institute of Architects in 1961
*American Institute of Interior Designers First Award for the Florence Knoll Collection’s Low Tables in 1954

The company she founded with her husband, Knoll Associates, has become an internationally recognized design leader. Under her vision, the company has been credited with inspiring work place furnishings characterized by their evolving and enduring aspects.

Florence Knoll’s commitment to innovative and modern designs has contributed to an extensive portfolio of furnishings related to seating, office systems, files and storage, desks, tables, wood case goods, textiles and accessories. Many of her design products are featured in major art exhibitions and museums across the world. Over forty Knoll design pieces are continually exhibited in the permanent Design Collection of New York’s Museum of Modern Art.

The Furniture of Eero Saarinen

eero saarinen tulip

At the age of thirteen, Eero Saarinen arrived in America with his family from Finland. Eero studied sculpture and furniture design at Cranbrook Academy, a school his architect father, Eilel, co-founded in Michigan. The young Saarinen also studied in Paris1 and at the Yale School of Architecture2 before returning to Cranbrook Academy to teach.

Eventually, he collaborated with colleagues Charles Eames and Florence Knoll, designing a furniture collection called “Organic Design in Home Furnishings”. The collection, entered in an exhibition held by New York’s Museum of Modern Art in 1940, won first prize; one of many accolades for Saarinen.

With regard to his architectural influence, one can easily recognize his impact on the landscape. Saarinen designed many prominent buildings, including airport terminals and corporate headquarters buildings for IBM, John Deere and CBS.1 The Gateway Arch in St. Louis may be his most recognizable architectural work.

Saarinen‘s modern furniture designs are just as familiar. His is the brilliant mind behind creations such as the Tulip table and chair, and the Womb chair, among others. Saarinen’s thinking behind the Tulip design, also known as Pedestal, was to “clear up the slum of legs in the U.S. home.”2; bringing airy simplicity into the modern household.

Mr. Saarinen’s design of the Womb chair stemmed from a request by his friend Florence Knoll. She wished for a chair that she could curl up in. The Womb Chair delivered with style. Created as a singular piece that is ergonomically shaped, the warmly padded structure invites and then cocoons its occupant.

His eye for streamlined comfort was so appealing that his clients frequently asked him to not only design their buildings, but the furniture inside them as well. His sofa design for the lobbies of the General Motors Technology Center in Michigan is one such project. The man who created cozy allure with the curved lines of the Womb Chair demonstrated exceptional skill, making straight lines and sharply cornered block forms look attractively comfortable. Inspired by the design of stock car seats, the boldly geometrical seating series is strong and inviting with a polished chrome framework that cradles sumptuously squared cushions.

The clean lines of his furniture and architecture are utterly aesthetic and functional. His “mid-century Scandinavian organic modernism is again in demand, as demonstrated by the popularity of stores like Ikea. Organic, ergonomic design is just what today’s eco-conscious consumer is drawn to.

Roma Contemporary Bench

roma contemporary bench

This Roma Contemporary Bench can spice up a variety of different areas. Perfect at the foot of a bed, beneath a window in the living room, in the foyer of a gallery, or beside the fireplace, this modern bench is a chic solution to additional seating. The Roma Contemporary Bench is stylishly upholstered and designed with an avant-garde approach. With many metal finishes and lots of upholsteries to choose from, it’s easy to match any décor! Made in the USA, you can be certain this bench will provide years of lasting quality and aesthetic appeal.

the benefits of original design

The next time you want to purchase an item for your office or home, choose authentic, original design. When you choose to buy authentic modern designs it ensures fairness and guarantees quality. Like art, furniture designers have meticulously planned out from concept to production the design and materials of a certain piece. Designers work hard to ensure that the design principles, materials and craftsmanship of a piece are all of the highest distinction. In addition, manufacturers who take steps to protect the environment in making a product may find that knockoff products have been created with no regard to environmental safety. In other words, a knockoff item may cost less initially, but the overall value of an authentic piece is far greater. So selecting genuine designs reaffirms the importance of high quality and the hard work of visionary designers and manufacturers.

thomas paul tree tote

Featuring 100% cotton fabric and a unique and quirky elegant black tree print, this Thomas Paul tote will take you from the market to the mall. Extra details like the Lime Green trim and handle are what makes Thomas Pauls totes special. The Tree Tote is a great example of something useful and something beautiful.

Thomas Paul

thomas paul

Born and raised in New York City, Thomas Paul got his start in the fashion business working as an intern at DKNY, in the mid-nineties, after graduating from New York’s Fashion Institute of Technology with a degree in textile design. While working as a colorist and designer for a silk mill specializing in neckwear and scarves, he worked on neckwear collections for such designers as Bill Blass, Calvin Klein, and DKNY. This eventually led to the creation of his own neckwear collection, the short-lived digities in the late 90’s. From this was born the start of the thomaspaul pillow collection, launched in 2001, which was originally conceived of as an idea of utilizing the silk printing mill’s capabilities for home accessories instead of personal accessories. Since then the line has steadily expanded into other categories apart from silk pillows to include tabletop, stationery, and lamp shades. The ultimate goal being to have products covering every aspect of the home, all with thomaspaul patterns gracing them.

Blu Dot

blu dot

The goal of Blu Dot is to bring good design to as many people as possible. Which means creating products that are useful, affordable, and desirable. To make that happen, their design process is founded on collaboration. Not just among themselves, as they play show-and-tell with concepts, but a total collaboration between pencil and paper, materials and machines, even packaging and assembly. Blu Dot’s designers like to think that the form is almost inevitable, a by-product of the process. Their job is simply to help it emerge as beautifully and as efficiently as possible.

Blu Dot was formed by three college friends – John Christakos, Charles Lazor, and Maurice Blanks, who shared a passion for art, architecture, and design. After they left college and began to furnish their first homes, they didn’t like the stuff they could afford and couldn’t afford the stuff they liked. They figured they were not alone and were naïve enough to try and do something about it. Blu Dot was born in 1997. Since then, the idea that good design is not just about beauty or form – it should also be about making our lives just a little easier and a little more enjoyable.

Atelier Oi Designs

atelier oi designs

The tr(oi)ka was founded by Aurel Aebi, Armand Louis and Patrick Reymond in La Neuveville, Switzerland, in 1991 under the label Atelier Oi. The main elements that characterise the Atelier’s philosophy and work consist of its multidisciplinary nature. Orders come from the fields of architecture, design and scenography, and, most frequently, from between these different disciplines. Projects include developments for Wogg, Ribag, Roethlisberger, Swatch, B&B italia, and Desalto, among other clients. Invited to various design schools in Switzerland and abroad, they hold a teaching position in the design department of Ecal (University of Art and Design Lausanne, Switzerland). Check out their Allegro Vivace Ceiling Light and Allegro Ritmico Pendant Lamp for more information on what these designers do.